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Moses, Man of the Mountain, by Zora Neale Hurston
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In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator. From his dramatic confrontations with Pharaoh to his fragile negotiations with the wary Hebrews, this very human story is told with great humor, passion, and psychological insight—the hallmarks of Hurston as a writer and champion of black culture.
- Sales Rank: #4343836 in Books
- Published on: 1991-01
- Original language: English
- Number of items: 1
- Dimensions: 1.01" h x 3.76" w x 9.36" l,
- Binding: School & Library Binding
Review
“The real thing, warm, humorous, poetic.” (The New Yorker)
“A narrative of great power. Warm with friendly personality and pulsating with...profound eloquence and religious fervor.” (New York Times)
From the Back Cover
Blends the Moses of the Old Testament with Moses of black folklore and song to create a powerful novel of the persecution of slavery, the dream of freedom, and the redemption of the faithful.
About the Author
Zora Neale Hurston, the author of Their Eyes Were Watching God, was deemed "one of the greatest writers of our time" by Toni Morrison. With the publication of Lies and Other Tall Tales, The Skull Talks Back, and What's the Hurry, Fox? new generations will be introduced to Hurston's legacy. She was born in Notasulga, Alabama, in 1891, and died in 1960.
Most helpful customer reviews
12 of 14 people found the following review helpful.
A witty, accessible retelling of "what Africa sees in Moses"
By D. Cloyce Smith
In the introduction to this 1939 novel, Hurston says that Africans (and, by extension African Americans) revere Moses "not because of his beard nor because he brought the laws down from Sinai" but "because he had the power to go up the mountain and bring them down. . . . [W]ho can talk with God face to face? Who has the power to command God to go to a peak of mountain and there demand of Him laws with which to govern a nation? . . . That calls for power, and that is what Africa sees in Moses."
Hurston incorporates the African tradition into her retelling of the Exodus story, along with that tradition's humor, colloquialisms, wit, irreverence, and apocryphal embellishments. The result is probably her most accessible work, an undemanding read that still reflects a mirror on such issues as politics, slavery, and feminism. The novel is remarkably faithful to the original, but Hurston's Old Testaments heroes and their adversaries are fleshed out as lethargic, selfish, dithering, conniving, as well as joyous, loving, and (above all) human. Moses's brother Aaron and sister Miriam, for example, are depicted as much a hindrance to the movement as a help.
Moses himself is presented warts and all. As expected, he's the savior who leads a slave nation from captivity to the freedom of a Promised Land, the wise prophet who brings law and government to an unruly and divided people. Still, Hurston's Moses observes that "the first law of Nature is that everybody likes to receive things, but nobody likes to feel grateful. And the very next law is that people talk about tenderness and mercy, but they love force. If you feed a thousand people you are a nice man with suspicious motives. If you kill a thousand you a hero." And Moses does kill--not only Egyptian soldiers hot in pursuit, but 3,000 of his own people: defenseless, drunken revelers paying homage to a golden calf (Exodus 32:28), an unforgiving and ruthless act that never fails to jar modern sensibilities.
It's often a marvel when an author can take a well-known story and make it seem fresh. Cecil B. DeMille 1956 movie has heightened modern-day familiarity to the point of farce (although Hurston's original audience was certainly aware of DeMille's first film version, released in 1923). Nevertheless, Hurston manages to make this timeworn story new again for modern readers.
6 of 6 people found the following review helpful.
What a wonderful book!!
By A Customer
Now, I admit that I had a hard time getting into this book. The reason...The Ten Commandments! The image of Charlton Heston parting the Red Sea kept playing through my head. I eventually got over it, all due to the narrative that this wonderful author told this story. I found myself captivated. Hurston made Moses human, with human needs and problems. This made his faith more real. Wonderful, I can't praise it enough. Check out Chapter 27, pg. 180 for a famous quote. I couldn't help but to think that Hurston knew more than she was telling. I have the feeling that she forsaw the Civil Rights Movement, some 20 years before it actually happened, this book was published in 1939. Very good!!
3 of 3 people found the following review helpful.
Great Discussion Group Book
By Maurice Williams
A good read. Hurston does an excellent job of depicting the parallel experiences of the captivity of the Israelites and the American Slave. In fact, one could argue that the experience of the Israelites is the American Slave experience. This is a great book for high school reading, it provides a variety of cause and effect themes that all young adults need to know; among them, if you oppress a people or person you breed fear, insecurity, and eventual self hatred in that human. I highly recommend Their Eyes Were Watching God another of Hurston's literary jewels. jewels.
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